For several years, I’ve joined with the community members, other elected officials, preservationists, and neighborhood organizations like the 29th Street Association to urge the New York City Landmarks Preservation Commission (LPC) to designate Tin Pan Alley on 28th Street between Broadway and Sixth Avenue as a New York City landmark. We were gratified when the LPC designated five Tin Pan Alley buildings as individual landmarks on December 10, 2019. Here’s a news account from Untapped Cities:
Tin Pan Alley on 28th Street Designated NYC Landmark
by Michelle Young
Within the former Tenderloin district, Tin Pan Alley was the
tiny sliver of a block of 28th Street between Broadway and Sixth Avenue.
Starting in the late 1800s, the stretch was synonymous with American popular
music. Scores of music publishers and songwriters were located there, in former
Italianite rowhouses that can still be seen. It was here that songs like “Take
Me Out to the Ball Game” and “God Bless America” were published. Until
recently, those buildings had been at risk of demolition but today, the New
York City Landmarks Preservation Commission approved the designation of Tin Pan
Alley as an official landmarks.
Specifically, five buildings on 28th Street, numbers 47, 49,
51, 53 and 55, are the latest New York City landmarks. Landmarks Preservation
Commission Chair Sarah Carroll said, “Tin Pan Alley was the birthplace of
American popular music, was defined by achievements of songwriters and
publishers of color, and paved the way for what would become ‘the Great
American Songbook.’ Together, these five buildings represent one of the most
important and diverse contributions to popular culture.”
The Landmarks Preservation Commission notes the unique
coalescing of activities in Tin Pan Alley that would have a profound influence
on how popular music was produced and promoted: “Here, composers, arrangers,
lyricists, performers, and printers came together as collaborative firms and
revolutionized the music industry’s practices,” the Commission contends in a
press release.
And equally important was the opportunities afforded by the
Tin Pan Alley businesses to marginalized populations, like Blacks and Jews.
According to the Commission, “Tin Pan Alley’s music publishing brought ragtime
to an international public, and Jewish and African-American artists and
publishers were able to create new and unprecedented opportunities for
themselves in mainstream American music.”
Some of the most prominent among them include Irving Berlin, George
Gershwin, Duke Ellington, and Cole Porter.
Tin Pan Alley also has a fun Erie Canal connection. According to Jack Kelly, the author of
Heaven’s Ditch: God, Gold, and Murder on the Erie Canal who wrote an article
for us at the launch of his book, “In 1905 a Tin Pan Alley songwriter named
Thomas Allen published sheet music for a tune called “Low Bridge, Everybody
Down.” The piece begins, “I’ve got a mule and her name is Sal . . .” It became
the classic Erie Canal song, offering a nostalgic look backward at a time when
mules were being phased out. Pete Seeger, Bruce Springsteen, and countless
millions of school children have sung the song down the decades.”
Today, Tin Pan Alley overlaps with the city’s Flower
District, itself a disappearing industry existing on top of another already
lost. On a visit during a weekday, you may see flowers and trees taking over
part of the road and workers actively cutting and arranging the goods.
The effort to landmark Tin Pan Alley has been a multi-year
effort and in addition to the testimony of local preservationists and political
figures, the descendants of many of the musicians such as the grandchildren of
Duke Ellington, also wrote in support.